Angmodnes Utrecht, Netherlands
Angmodnes is a doom metal collaboration by Y.S. (Wilds Forlorn, Apotelesma), M.V. (Apotelesma, Koudvuur) and F.S.
Angmodnes is an Old English word that roughly translates to 'angst' or 'sorrow'.
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supported by 17 fans who also own “Beneath”
This was truly a revelation. I was getting started with funeral doom, working on something with my headphones on... Then came Déluge... my jaw actually dropped, I stopped what I was doing and, wide-eyed, just listened to the track, baffled and amazed. After the album was over (I never do this), I went to lay down with my headphones to enjoy it over again. I rarely heard (and felt) this much power and emotion in an album. Until I find something better, this is my landmark for peak funeral doom.
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supported by 17 fans who also own “Beneath”
Masterclass Atmospheric Funeral Doom with Atmosphere to the Heavens or should i say way down to the Bottom of the Depths of the Ocean? Headphones on and the dark Journey through deepest Water begins. Amazing Work, Lore and Déhà
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supported by 17 fans who also own “Beneath”
Well this is officially, by far the most beautiful album I've ever heard in doom metal. The drumming work is so original and innovative, especially in doom metal. The woodwinds and the violins are such a nice touch. The growls are so haunting. I love their transitions to the heavy instrumentation with the growls to the soft, melancholic clean passages. The clean voices are amazing and the melodies chosen in the voices are quite different and added a whole new emotion to the songs
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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Oakland, CA quartet LYCUS return with a new album on Relapse Records. Heavy, epic, mournful, and replete with art by Paolo Girardi.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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supported by 16 fans who also own “Beneath”
The music is slow, and it makes me feel like shit. I love it.
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