Angmodnes Utrecht, Netherlands
Angmodnes is a doom metal collaboration by Y.S. (Wilds Forlorn, Apotelesma), M.V. (Apotelesma, Koudvuur) and F.S.
Angmodnes is an Old English word that roughly translates to 'angst' or 'sorrow'.
If you like Angmodnes, you may also like:
The Death of Gaia
by OFFICIUM TRISTE
supported by 11 fans who also own “Weight of Eternity”
An absolutely amazing album that reaches you to the bottom of the abyss. Gaia takes you by the hand, tells you that you're not alone in this, the pain is over, the misunderstanding of your pain is over and accompanied by keyboards, violins, acoustic guitars, cello and amazing vocals, she pulls you out of the disgusting mire of your mind and together you embark on a journey of melancholy, despondency, hope, pessimism and the seasons.
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supported by 11 fans who also own “Weight of Eternity”
The reason is summarized in the reason why I love extreme doom: it's a matter of focus, intentions that never get diverted from one nature: the appeal for doom, and all emotions, visions, states of being the term implies.. It's a one-colour core that makes the whole. The limits of Arche's music embraces all doom is about; how can I not be very pleased with that?
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supported by 11 fans who also own “Weight of Eternity”
one of the best death doom bands so far. great melodies with great atmospheres. mostly slow, heavy and doomy but sometimes there are these groovy double-bass drum moments wich are pretty fucking cool. if you like death doom and melodic atmospheric black metal, this is for you.
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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Oakland, CA quartet LYCUS return with a new album on Relapse Records. Heavy, epic, mournful, and replete with art by Paolo Girardi.
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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supported by 10 fans who also own “Weight of Eternity”
This was truly a revelation. I was getting started with funeral doom, working on something with my headphones on... Then came Déluge... my jaw actually dropped, I stopped what I was doing and, wide-eyed, just listened to the track, baffled and amazed. After the album was over (I never do this), I went to lay down with my headphones to enjoy it over again. I rarely heard (and felt) this much power and emotion in an album. Until I find something better, this is my landmark for peak funeral doom.
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